The Leonard Cohen 2008 tour got rave reviews from all quarters, and I'll probably regret for the rest of my life that I didn't go to any of those concerts. I frankly hadn't expected it to be any good - the last Leonard Cohen album from a few years ago was pretty depressing. The songs were dull and uninspired, and his voice seemed to be almost completely gone. I didn't expect a complete rebirth for this tour. But that's what happened, according to the reviews. And sure enough, now I've downloaded THIS BOOTLEG myself, and it's brilliant. Astonishing. Perfect. The audio quality is excellent, so this will do until there hopefully will be an official DVD out.
The Cohen Tour is apparently coming to the US in 2009.
Sunday, January 11, 2009
Leonard Cohen 2008 tour bootleg
Labels: Leonard Cohen, music
Sunday, December 7, 2008
"If It Be Your Will"
Singing this Leonard Cohen song is probably the closest I'll ever come to a true religious experience.
But religous or not, the playing's probably a still completely ramshackle though.
If it be your will
That I speak no more
And my voice be still
As it was before
I will speak no more
I shall abide until
I am spoken for
If it be your will
If it be your will
That a voice be true
From this broken hill
I will sing to you
From this broken hill
All your praises they shall ring
If it be your will
To let me sing
From this broken hill
All your praises they shall ring
If it be your will
To let me sing
If it be your will
If there is a choice
Let the rivers fill
Let the hills rejoice
Let your mercy spill
On all these burning hearts in hell
If it be your will
To make us well
And draw us near
And bind us tight
All your children here
In their rags of light
In our rags of light
All dressed to kill
And end this night
If it be your will
If it be your will.
Labels: Leonard Cohen, Murdering the classics
Sunday, October 26, 2008
"Famous Blue Raincoat"
This is one of the greatest songs ever written. It's about confused people in the 1970s searching for spiritual enlightenment ("Go clear" is a Scientology term) and finding only... well, confusion, and depression.
I dunno if my version is too fast, it seems like the only way to go with this song is to lighten it up a little bit.
(yes and I fuck the lyrics up slightly towards the end. God forbid that I ever do a perfect take in this blog)
Me:
Leonard Cohen live in 1979:
Its four in the morning, the end of december
Im writing you now just to see if youre better
New york is cold, but I like where Im living
Theres music on clinton street all through the evening.
I hear that youre building your little house deep in the desert
Youre living for nothing now, I hope youre keeping some kind of record.
Yes, and jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Did you ever go clear?
Ah, the last time we saw you you looked so much older
Your famous blue raincoat was torn at the shoulder
Youd been to the station to meet every train
And you came home without lili marlene
And you treated my woman to a flake of your life
And when she came back she was nobodys wife.
Well I see you there with the rose in your teeth
One more thin gypsy thief
Well I see janes awake --
She sends her regards.
And what can I tell you my brother, my killer
What can I possibly say?
I guess that I miss you, I guess I forgive you
Im glad you stood in my way.
If you ever come by here, for jane or for me
Your enemy is sleeping, and his woman is free.
Yes, and thanks, for the trouble you took from her eyes
I thought it was there for good so I never tried.
And jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
-- sincerely, l. cohen
Labels: Leonard Cohen, Murdering the classics
Tuesday, October 14, 2008
"Suzanne" and "Chelsea Hotel No. 2"
Me playing two Leonard Cohen songs... Cohen seems to fit my voice very well (probably because neither of us can actually sing), so I should probably be doing more of these.
SUZANNE
Suzanne takes you down to
her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body
with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body
with his mind.
Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body
with her mind.
CHELSEA HOTEL
I remember you well in the Chelsea Hotel,
you were talking so brave and so sweet,
giving me head on the unmade bed,
while the limousines wait in the street.
Those were the reasons and that was New York,
we were running for the money and the flesh.
And that was called love for the workers in song
probably still is for those of them left.
Ah but you got away, didn't you babe,
you just turned your back on the crowd,
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend.
You told me again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, "Well never mind,
we are ugly but we have the music."
And then you got away, didn't you babe...
I don't mean to suggest that I loved you the best,
I can't keep track of each fallen robin.
I remember you well in the Chelsea Hotel,
that's all, I don't even think of you that often.
Labels: Leonard Cohen, Murdering the classics